With competent actors and a strong, if not particularly original, central idea, Zoom has the chance to do great things, but it all falls rather flat as the need to interweave the three story strands interferes with their natural pacing.

~ Jennie Kermode -

With competent actors and a strong, if not particularly original, central idea, Zoom has the chance to do great things, but it all falls rather flat as the need to interweave the three story strands interferes with their natural pacing.

~ Jennie Kermode -

The characters of Tenoch and Julio are beautifully realised by Luna and Bernal. They bring energy and verve.

~ Angus Wolfe Murray -

The characters of Tenoch and Julio are beautifully realised by Luna and Bernal. They bring energy and verve.

~ Angus Wolfe Murray -

Silver may succeed in pushing emotional buttons but its people's heads that need to be engaged in tackling this complex issue, not just their hearts.

~ Amber Wilkinson -

Silver may succeed in pushing emotional buttons but its people's heads that need to be engaged in tackling this complex issue, not just their hearts.

~ Amber Wilkinson -

A visual treat.

~ Amber Wilkinson -

A visual treat.

~ Amber Wilkinson -

The posturing and overly theatrical nature of the delivery is going to make or break the experience for many.

~ Luke Shaw -

The posturing and overly theatrical nature of the delivery is going to make or break the experience for many.

~ Luke Shaw -

Bernal and Luna bring the same casual and endearing spontaneity they showed in Y Tu Mama Tambien to the fore again here.

~ Amber Wilkinson -

Bernal and Luna bring the same casual and endearing spontaneity they showed in Y Tu Mama Tambien to the fore again here.

~ Amber Wilkinson -

A solid, and certainly heartfelt effort.

~ Owen Van Spall -

A solid, and certainly heartfelt effort.

~ Owen Van Spall -

Pablo Larraín's No is a resounding yes!

~ Anne-Katrin Titze -

Pablo Larraín's No is a resounding yes!

~ Anne-Katrin Titze -

A triumphant piece of filmmaking.

~ Jennie Kermode -

A triumphant piece of filmmaking.

~ Jennie Kermode -

The director has an aptitude for taking a dash of the familiar and giving it an individual twist.

~ Amber Wilkinson -

The director has an aptitude for taking a dash of the familiar and giving it an individual twist.

~ Amber Wilkinson -

The film has a huge heart.

~ Amber Wilkinson -

The film has a huge heart.

~ Amber Wilkinson -

The plot and characterisation feel subordinate to the social commentary.

~ Adam Micklethwaite -

The plot and characterisation feel subordinate to the social commentary.

~ Adam Micklethwaite -

I suspect even Jarmusch’s most ardent fans will find longeurs.

~ James Benefield -

I suspect even Jarmusch’s most ardent fans will find longeurs.

~ James Benefield -

Christopher Egan's achingly bad condescension to Hollywood's stupidest stereotype of the Englishman would be better suited to a Zucker brothers parody.

~ Jennie Kermode -

Christopher Egan's achingly bad condescension to Hollywood's stupidest stereotype of the Englishman would be better suited to a Zucker brothers parody.

~ Jennie Kermode -

The degree to which this film is unsettling is testimony to the strength of the acting and direction.

~ Amber Wilkinson -

The degree to which this film is unsettling is testimony to the strength of the acting and direction.

~ Amber Wilkinson -

For anyone who has experienced the obsessive attentions of a teacher, this makes for uncomfortable viewing.

~ Jennie Kermode -

For anyone who has experienced the obsessive attentions of a teacher, this makes for uncomfortable viewing.

~ Jennie Kermode -

The director, perhaps too accustomed to the more limited budget of his early films 77 Doronship and Salamander, imagines the story of Peron's corpse as a series of vignettes, which gives the film a feeling of a unsatisfactorily adapted stage play.

~ Amber Wilkinson -

The director, perhaps too accustomed to the more limited budget of his early films 77 Doronship and Salamander, imagines the story of Peron's corpse as a series of vignettes, which gives the film a feeling of a unsatisfactorily adapted stage play.

~ Amber Wilkinson -

The film's heart is certainly in the right place, but its narrative is more of a scattergun affair.

~ Amber Wilkinson -

The film's heart is certainly in the right place, but its narrative is more of a scattergun affair.

~ Amber Wilkinson -

Di Girolamo has a compelling intensity in the role but it's still hard to believe that everyone would fall quite so hard and fast for Ema's devil may care charms and unpredictability, especially with so much on the line.

~ Amber Wilkinson -

Di Girolamo has a compelling intensity in the role but it's still hard to believe that everyone would fall quite so hard and fast for Ema's devil may care charms and unpredictability, especially with so much on the line.

~ Amber Wilkinson -

Bernal proves to be a vibrant director, his swooping steadicam and queasy close-ups placing the viewer right in the middle of the party.

~ Anton Bitel -

Bernal proves to be a vibrant director, his swooping steadicam and queasy close-ups placing the viewer right in the middle of the party.

~ Anton Bitel -

Simplistic moral answers to the question of Christianity are like flags of convenience.

~ Angus Wolfe Murray -

Simplistic moral answers to the question of Christianity are like flags of convenience.

~ Angus Wolfe Murray -

The film walks a difficult line between celebrating the genre and mocking it for, essentially, being cash-strapped.

~ Jennie Kermode -

The film walks a difficult line between celebrating the genre and mocking it for, essentially, being cash-strapped.

~ Jennie Kermode -

A bold piece of film-making that's daring, dramatic and different - even if it won't be to everyone's taste.

~ Maria Realf -

A bold piece of film-making that's daring, dramatic and different - even if it won't be to everyone's taste.

~ Maria Realf -

It's classic film noir; except that, being the work of Pedro Almodóvar, much of it is shot in lurid colour, not all the girls are really girls, and not all the boys are what they claim to be, either.

~ Jennie Kermode -

It's classic film noir; except that, being the work of Pedro Almodóvar, much of it is shot in lurid colour, not all the girls are really girls, and not all the boys are what they claim to be, either.

~ Jennie Kermode -

Assisted by the remarkable cinematographer Rodrigo Prieto, Iñárritu moves seamlessly from the arid isolation of a Moroccan village to the gleaming modernity of Tokyo to the colorful chaos of Tijuana, his camera alternately capturing scenes of hope and des

~ The Exile -

Assisted by the remarkable cinematographer Rodrigo Prieto, Iñárritu moves seamlessly from the arid isolation of a Moroccan village to the gleaming modernity of Tokyo to the colorful chaos of Tijuana, his camera alternately capturing scenes of hope and des

~ The Exile -